Adler, Margot. Drawing Down the Moon. Beacon Press, revised edition, 1986. Arkana, edition with updated Appendix III
(Resources), published 1997. Print.
Margot Adler's Drawing
Down the Moon is a journalistic documentation of the NeoPagan movement of
the 20th century. As such, it is a valuable inclusion on the Recommended
Reading list for ADF's dedicants. First published in 1979, three revised
editions have been released in 1986, 1997, and 2006 to include updated material
on emerging groups and online resources. I chose the 1997 edition simply
because it was readily available to me.
The book is divided into four sections. The first, titled Background,
is an overview of the beliefs and practices of NeoPagans along with definitions
of the terms pagan and witch in historical and modern context and the
preconceptions and misconceptions engendered by those terms. The second
section, titled Witches, describes the modern movements of Wicca and witchcraft
and the many variations from British "trads" to Goddess worship as
well as eclectic practice. The third section, titled Other NeoPagans, includes
descriptions and interviews with other NeoPagan groups with sections on pagan
reconstructionists including druids and heathens, the Church of All Worlds,
Discordians, and Radical Faeries as well as others. The fourth section, titled
The Material Plane, is broken into two parts: the first presenting a look at
how the media has depicted paganism and the occult in print and films, and the
second looking at how NeoPagans "walk the talk" or how they live the
philosophy they espouse and what they wish NeoPaganism to become in the future.
I find this revised edition very readable and interesting,
chock full of information on the rise of NeoPaganism in (mostly) America. One
criticism of the older version is that it was skewed too far toward Wicca; this
version is still weighted toward Wicca, but it is better balanced with the
inclusion of more material on other paths than previously. The first part of
the book is a little slow to me and, well, a bit boring. The second part is far
more interesting; I truly enjoyed learning about the different paths and their
spin-offs.
Being a proponent of modern social media, I wonder at the
thought that when this book was first published the communications net between
like-minded folks was so ephemeral. I readily admit it gives me a thrill to see
the names of many people I have met online (especially Facebook), even if not
in person.
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